Seating

This is section on the floor, sometimes referred to as a Orchestra level, with the seats wrapping around the thrust stage in 3 sections. The center sections has 6 rows, and the sections on the left and right only have 5 rows.  Each location offers unique views of the action on the stage depending on where they’re sitting.  Each audience member gets their own unique perspective of a show because the stage is surrounded by the audience on three sides. Audience members can see each other while watching the action on stage. This creates an interesting experience for spectators, seeing the reactions of the people on the other side of the stage and knowing they are seeing the show from the opposite viewpoint.

Also, each row is on its own level- this means that the person sitting in front of you should not obstruct your view because their row will be lower. All of row D can be reached without walking up or down any stairs. 

Here is some feedback from patrons who have sat in the Lower Gallery:

"I prefer being in front so I can see facial expressions"

"The play was well staged so each section had a moment or two where they had the best view"

"All seats are a good view & the actors can come & run or drop down drown from anywhere!

"We were too almost close to the stage at times"

"There really are no bad seats and the cast does a good job of playing to the whole audience."

"In second row view is sometimes blocked by actor's back"

"We were off to the side and loved the view- but it really doesn't matter for this stage! All seats are great."

This is a row that is above the Lower Galley.  The Upper Gallery overhangs the Lower Gallery at Row E on the sides and Row F in the center so it is much closer to the action than a traditional "balcony" level would be. Even sitting in Row G in the Upper Gallery, you are not more than 20 feet from the stage! Audience members are never far from the action on a thrust stage, even when seated in the Upper Gallery, which creates a special intimacy between the actors and audience.   The seats in this section offer a bird's eye view of the complete stage and are especially suited for a "lean in" experience! There is a polished wood railing to rest your elbows on (but not your drinks!) for best viewing. These seats are also un-ganged or "loose" so that you can adjust them a bit for your comfort and best viewing.

Here is some feedback from patrons who have sat in the Upper Gallery:

"Sitting in the Upper Gallery provided the perfect view of the entire stage, it was less interactive, but more intimate."

"Good seats (very comfortable) but sometimes had to lean over balcony railing to see actors who were far to stage left."

"It provided a good view of the entire stage!"

"These seats are loose/not connected so you can scoot them around to find your best spot."

"Leaning forward is the best way to enjoy productions up here."

"Being close to the flying actors as they descended was a once in a lifetime experience!"

Occasionally, we will present a production in a unique configuration with added seats on the front of the stage, on the stage, or in the round. This will be clearly marked on the seating plan as you check out.

The front part of the stage that thrusts out into the audience is flexible and can be lowered down.  This allows CSC to present performances in "proscenium" style like the stage at the Aronoff Center for example.  When we lower the stage, we will be adding "Floor Seating".  These seats are all on one level and can only be reached by going down 1 step.

We can also present a show in the round with seating added to the stage.  Here are some photos of different set ups:

We want you to feel as welcome and comfortable in our theater as possible.  Please reach out to the Box Office via email at [email protected] or by phone at 513-381-2273 to discuss any needs or any questions you may have regarding seating.